Calendar of Events

Below you can find all of our upcoming shows. Check back regularly for news and updates. We look forward to seeing you at the Opera!

Featured Event!

The Nutcracker in Oxnard

Saturday & Sunday: December 5 & 6 - Both Performances at 2pm | Oxnard Performing Arts Center

This season the OperaSLO Grand Orchestra begins our Nutcracker tour with Ventura County Ballet at the glorious 1600-seat Oxnard Performing Arts Center! Nutcracker tradition in a new partnership with Ventura County Ballet! There's nothing like ending the year with a grand performance of The Nutcracker with live full orchestra. Join us in Oxnard and make it a stay-cation!

Saturday and Sunday | December 5 and 6, 2027 | Both Performances at 2pm

TICKETS ON SALE NOW!

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The Nutcracker in San Luis Obispo

FRIDAY: December 11, 7pm | SATURDAY: December 12, 2pm & 7pm | SUNDAY: December 13, 2pm | Performing Arts Center San Luis Obispo

The end of the year means, Civic Ballet San Luis Obispo's presentation of Lorilee Silvaggio’sThe Nutcracker! For over 40 years, the Civic Ballet of San Luis Obispo has presented this holiday classic (including 25 years performing to sold out audiences). Lori Lee Silvaggio’s The Nutcracker is filled with all the pageantry, magic and wonder that have made this one of the most enduring holiday traditions around the globe. Audiences of all ages will marvel in this spectacular and professional production, accompanied by the OperaSLO Grand Orchestra conducted by Maestro Brian Asher Alhadeff.

Friday, Dec. 11th at 7pm

Saturday, Dec. 12th at 2PM and 7PM

Sunday, Dec. 13th at 2 PM

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The Nutcracker in Santa Barbara

FRIDAY: December 18, 6pm | SATURDAY: December 19, 2pm & 7:30pm | SUNDAY: December 20, 2pm | Granada Theater Santa Barbara

The end of the year means The Nutcracker, Santa Barbara-style at one of California's most beautiful venues - the historic Granada Theatre. Audiences of all ages will marvel at the magic and wonder of this spectacular and professional production by Santa Barbara's State Street Ballet, accompanied by the OperaSLO Grand Orchestra conducted by Maestro Brian Asher Alhadeff. 

Friday, December 18: 6pm (NEW ADDED PERFORMANCE 2025!)

Saturday, December 19: 2pm and 7:30pm

Sunday, December 20: 2pm

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THE MUSIC MAN by Meredith Willson

SATURDAY & SUNDAY - MAY 29 & 30, 2027 | Performing Arts Center San Luis Obispo

Opera San Luis Obispo is thrilled to present THE MIKADO in the regions first grand production of a Gilbert and Sullivan work!
Perfect for all ages, we love to promise you’ve not experienced live theatre until you see it produced by a grand opera company, and OperaSLO’s production promises to thrill and wow patrons moment-to-moment with expansive sets and costumes, ballet, chorus, an nationally acclaimed leading cast, all accompanied by the full OperaSLO Grand Orchestra conducted by Brian Asher Alhadeff. The production will be choreographed by Drew Silvaggio and stage directed by Marcy Irving in collaboration with Central Coast Gilbert & Sullivan and Civic Ballet San Luis Obispo. 

SATURDAY & SUNDAY | OCTOBER 17th and 18th | BOTH PERFORMANCES 2PM

KEY SPONSORSHIP OPPORTUNITIES STILL AVAILABLE - CALL TODAY: (805) 782-7342

WANT TO KNOW MORE ABOUT AN OPERASLO GRAND PRODUCTION?

CLICK HERE TO WATCH A SHORT INTRO VIDEO

MORE ABOUT THE MUSIC MAN: 

The Music Man is Meredith Willson’s great American valentine to small-town life — affectionate, hilarious, sentimental, and just skeptical enough to keep the sugar from getting too sweet. Set in fictional River City, Iowa, in 1912, the musical drops one spectacularly confident con man into a town full of stubborn citizens who are absolutely certain they cannot be conned.

Enter Professor Harold Hill, a traveling salesman with no musical ability whatsoever and a brilliant scheme: convince the townspeople that their children are headed for moral ruin, sell them instruments and uniforms for a boys’ band, collect the money, and disappear before anyone notices he cannot actually teach music. His problem is Marian Paroo, the town librarian and piano teacher, who quickly realizes that something about Professor Hill does not quite add up. His bigger problem is that River City begins changing him before he can escape it.

Along the way come some of Broadway’s most irresistible songs: the thunderous “Seventy-Six Trombones,” the tongue-twisting “Rock Island,” the barbershop charm of “Lida Rose,” and the glowing romance of “Till There Was You.” Willson’s score seems to capture an entire American town in music — gossiping neighbors, excitable children, blustering politicians, barbershop quartets, marching bands, and all.

Beneath the brass bands and bunting is a surprisingly tender story about second chances, belonging, and the curious fact that sometimes even a fraud can inspire something real. The Music Man is joyful, romantic, spectacularly tuneful, and proof that if you say “Seventy-Six Trombones” confidently enough, an entire town may just start marching behind you.



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